PF detail from Pierre-Auguste Renoir - Beach Scene, Guernsey (Children by the Sea in Guernsey) - 1883;

ISSN 
1942-2067

Copyright © 2009 Pirene's Fountain.

TX7-018-906

All Rights Reserved.

Last updated:
April 2010

 

Hollace M. Metzger is an architect, poet, painter and photographer from Brooklyn, New York, where she began writing and performing poetry. She is the author of Observing the Labyrinth from Heaven (2007), Transcriptions of Time (2009) and author-vocalist of Observing the Labyrinth from Heaven - Paris Recordings (2008). The Labyrinth, documenting life in America through poetry and photography, initiated the author’s two-year journey through Europe and its result, Transcriptions, completed in Paris.
               Hollace's recent poetic endeavors include collaborations with choreographers, musicians and visual artists from the U.S., U.K., Canada, Romania, Columbia, India, Mexico and across western Europe, some being invitations to guest write and perform for music albums (Vitor Joaquim, Ashtech, Thomas Bel, Pulver Records), European cinema (Benece Produciones, Micka Luna) and an autobiographical ballet (INV3RSES, Ballet National de Marseille, May 2009).
               Currently residing in Paris, Ms. Metzger continues her investigation in language, philosophy, social consciousness and multi-disciplined arts in an effort to better link them to future practice in architecture and creative expressionism.

Being Pale Next to You | Paper Ships

 

Being Pale Next to You

I like being pale
               next to you.
It's as if we were
a Tintoretto,
floating figures
across the Frari,
somewhere
between now and
the sixteenth century.

I like being pale
               next to you.
It's as if I'm able
to see two moons
in the cool evening sky,
holding your face
and the warmth of day
in my sun-kissed hands.

I like being pale
               next to you
It's as if I was
a China doll,
or a snowflake falling
to Earth,
melting only after landing
on your tongue.

I like being pale
               next to you.
It's as if both our hearts
beat in you
and only when we join
do my cheeks turn flush
and you fill me
with your life.

I like being pale
               next to you.
It's as if when we make love
and I forget
which is you
and which is me,
I can open my eyes
and remember again.

 

Paper Ships

Four days                                           
and three nights,                                
a memory,                                           
and still,                                           
Scottish lights                                           
beam brightly.                                           

In love
with a land
and the smile
of a man,
his strong hand
in mine.

I've slept
with a photo
beneath
a feathered pillow
of salty tears,
nightly.

I've knelt
at the coast
and sent
paper ships
to The Isles
with messages.

On mirrored stars
I've wished
for double
his kiss
with parted lips
again.

Awake,
but in a dream,
a memory,
that began
one year ago
today.